“Weird Al” Yankovic has been producing original music and song parodies for basically my entire life. His works have earned him hordes of fans, nerd god cult status, and even four Grammy awards, including Best Comedy Album Grammys for 2003’s Poodle Hat and 2014’s Mandatory Fun.
But I’ve always had a soft spot in my heart for his polka medleys, where Al, and his band take a hodgepodge of recent hit songs, and place them into a fun processor of sped up, sublime, polka fury. These medleys drive some people crazy, but for me, they’ve always been an instant passageway to cheering me up. So I decided to throw all of his polka selections into a Spotify playlist, and shuffle them up for review. Below, I will discuss each track, and below that, I will rank them in order from my least favorite, to my favorite. Dare to be stupefied.
“Angry White Boy Polka” (from 2003’s Poodle Hat)
This is exactly what the title sounds like, and one of the best medley concepts of his career, and what a genius idea to close with Eminem’s “Real Slim Shady”, after the song is dominated by alt rock and nu metal. I love how Al sneakily pokes fun at certain aspects of every song he puts into a medley, but puts enough feeling into each tidbit to make it sound like the homage that it is. Listen to the Limp Bizkit section for this perfect blend of snark and joy.
Key moments: The transition from the lounge stylings of the Strokes’ “Last Nite” to Disturbed’s “Down With the Sickness”. His band’s musicianship has always been overlooked, but I’d imagine they’d have to be pretty accomplished to be able to play not just versions of most hit songs out there, but also polka variations of virtually every hit song out there. Check out that sinister accordion (I’m guessing) drop at 2:57, and his enthusiastic “Get Up!” at 3:15. Just beautiful.
Score: 5/5
“NOW That’s What I Call Polka!” (from 2014’s Mandatory Fun)
Starts off strong with Miley Cyrus’ irresistibly irritating megahit, “Wrecking Ball”. I must admit that the older I get, the less and less songs I recognize on these medleys, and that is certainly the case here, but the songs I recognize were executed quite well, though an unfortunate, abrupt fart noise almost derails the song midway through.
Key moments: The horns kicking in at 0:56 for Foster The People’s “Pumped Up Kicks”, and the Jerry Lewis-mimicking “Sexy LADY!” during the “Gangnam Style” portion.
Score: 3.5/5
“Hooked On Polkas” (from 1985’s Dare To Be Stupid)
This one is a fucking powerhouse right out of the gate, with an almost punk-quick flow, although I don’t really recognize the first song. The fast pace continues throughout. It’s nearly four minutes, but feels like two. One interesting thing that happens on this track, is there are a lot more vocal gymnastics being performed by Al and crew, changing keys to mimic the singers in layers.
Key moments: What sounds like a furious banjo solo in the background of ZZ Top’s “Sharp Dressed Man” segment (starting at 0:53). I believe the same banjo turns up on Kenny Loggins’ “Footloose” coverage.
Score: 4/5
“Bohemian Polka” (from 1993’s Alapalooza)
This is actually just “Weird Al” doing Queen’s magnum opus polka style. I’m sure Al (correctly) summarized that this was the greatest song of all-time, and therefore decided not to do a medley at all, this time around. Mamma mia, let him go.
Key moments: The same parts that are the most awesome in the original song, are awesome here, meaning the whole song is good, but the last two thirds are even better.
Score: 4/5
“Polka Face” (from 2011’s Alpocalypse)
Much like the aforementioned, “NOW That’s What I Call Polka!”, I’m only familiar with about half of the songs here, but it’s a stellar conglomeration of mostly Top 40 smashes. I would say that the only weak points of this one have more to do with the original compositions than anything Al and the boys are doing, although I didn’t like the fact that they opened AND closed with an homage to Lady Gaga’s “Poker Face”.
Key moments: I’m not even sure who sings the original song, but Al goes off on this “Womanizer” tune, pulling off the feat of delighting me with an homage to something I’ve never even heard before. At the 0:59 point, hearing Al sing, “You say I’m crazy, I’ve got your crazy”, brings me joy in ways I cannot even really explain. This other little melody from 2:53-3:00 is fucking gorgeous, but I’m not sure what song it belongs to. This is another great example of the band’s musicianship, and an exhibit of their ability to transcend mere parody on these medleys.
Score: 4/5
“Polka Power!” (from 1999’s Running With Scissors)
I liked this era of “Weird Al” medleys, because the mix of songs was more diverse, but that also had a lot to do with Top 40 radio being a lot more bearable at the time. Finishing the medley with Semisonic’s “Closing Time” is both the annoying, and absolutely correct choice. (The trippiest part of this era, is comparing how certain songs have held up. It was a strange time. Some tunes sound 20 years older than others, because their sound just simply did not evolve into something bigger, ultimately.)
Key moments: What a masterstroke to transition from Marilyn Manson’s “Dope Show” to Hanson’s “Mmmbop”. That’s pure genius, and one of the best examples of Al’s sneaky, dry humor, that I can think of. Also at 3:23, what sounds like a phenomenal sprinkling of trombone in the background.
Score: 4/5
“Polka Party” (from 1986’s Polka Party)
The production on this sounds a bit dustier, for lack of a better term, but it’s no less pleasing to the ears. This medley might be the strongest mix of recognizable hits back to back. It’s short and sweet, coming in at only 3:14.
Key moments: The entire segment featuring an homage to Janet Jackson’s “Nasty Boys”, followed by “Weird Al” joyously shouting, “I like this part!”
Score: 4.25/5
“Hot Rocks Polka” (from 1989’s UHF: Original Motion Picture Soundtrack)
As you may have suspected, this is a medley of a handful of hits by the Rolling Stones.
Key moments: The homages to “Sympathy For the Devil” and “Shattered”, are the stuff that all your wildest dreams are made of, and the background vocals on this medley are the best of his career.
Score: 4.5/5
“The Alternative Polka” (from 1996’s Bad Hair Day)
Hearing this medley is a hilarious reminder that there was a time when Sheryl Crow was considered an “alternative” artist. The contrast between songs such as her “All I Want To Do is Have Some Fun”, and Nine Inch Nails’ “Closer”, somehow works. Just like two different animals fucking.
Key moments: There’s something romantic about “Weird Al” singing Alanis Morissette’s famous revenge song, “You Oughta Know”, and there is some beautifully surprising angst that Al extracts from Foo Fighters’ “I’ll Stick Around”, and Green Day’s “Basket Case” is the perfect closer, and not just because you get to hear Al ponder whether he’s paranoid or just stoned.
Score: 4.25/5
“Polkarama!” (from 2006’s Straight Outta Lynwood)
This medley is surprisingly diverse. Definitely more so than I had remembered. It’s hard to forget that some decent songs were still being played on the radio in not so recent years, when you’re forced to hear how oversaturated and disgusting the current state of top 40 is. But yeah, this is a fantastic medley, even though it includes a couple songs that I find to be complete garbage in their original form. I love the choice of Kanye West’s “Gold Digger” as the closer.
Key moments: The harmonizing on Coldplay’s “Speed of Sound”, is simply beautiful. The transition from “Speed of Sound”, to Modest Mouse’s “Float On”, to Gorillaz’ “Feel Good Inc.”, to Pussycat Dolls’ “Don’t Cha”, is flawless, and impressive, but the portion paying tribute to 50 Cent’s “Candy Shop” is one of the top moments of Al’s career, in my opinion. The stuff he throws in while the background singers takeover (2:44-2:52) is amazing. A couple homages later, there is also this beautiful moment featuring a song I’m not familiar with otherwise, about some “Mr. DJ” fella.
Score: 4.75/5
“Polkas on 45” (from 1984’s In 3-D)
This one is fun, because it sounds more raw than any of the other polka medleys in his career. On this one, it sounds like Al simply picked some of the favorite songs of his lifetime, which I’m sure is exactly what he was doing.
Key moments: “Hey Jude” transitioning into “L.A. Woman”; Their brief take on the Police’s “Every Breath You Take” (starting at 2:53) is pure perfection, as is the tribute to the Who’s “My Generation”, which closes out the medley in style.
Score: 4/5
“Polka Your Eyes Out” (from 1992’s Off the Deep End)
This was the first medley of his I remember falling in love with. It doesn’t hold up as well as some of the others, but it will always have a special place in my heart. (It should be noted that a lot of this doesn’t hold up well, because some of the original songs have not aged particularly well, which is to say, they sound kind of shitty now.)
Key moments: The transition from Metallica’s “Enter Sandman” to Digital Underground’s “the Humpty Dance”; Love how Al turns Vanilla Ice’s “Ice Ice Baby” into a triumphant, Vaudevillian, “Ice ice baby, forever…”
Score: 4/5
Ranking The Polkas:
12. “NOW That’s What I Call Polka!”
11. “Hooked On Polkas”
10. “Polka Your Eyes Out”
9. “Bohemian Polka”
8. “Polkas On 45”
6. (tie) “Polka Face”
6. (tie) “Polka Power!”
5. “Polka Party”
4. “The Alternative Polka”
3. “Hot Rocks Polka”
2. “Polkarama!”
1. “Angry White Boy Polka”
If you have a problem with any of these choices, feel free to Polka me on Facebook.